Come Thou Fount: Original Piano Arrangement

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Come Thou Fount

Come Thou Fount

I love the old hymn, Come Thou Fount.  I think it captures the spirit of Christianity everywhere and reminds us that without Jesus Christ, we are nothing, but that with Him, we can become all that He is.  I’ve been intending to create an arrangement of it for a long time, and I finally took the time to do it.  You are welcome to download this arrangement for free.  If I get requests for it in sheet music, I’ll transcribe it and make it available for purchase, so let me know if you would like me to do that.

Of all the words in the song, my favorites are these: “Here’s my heart, O take and seal it, Seal it for Thy courts above.”  It reminds me that I have given my heart entirely to the Lord, and he can do with it as He sees fit.  That heart often needs tuning, even regular tuning, and only He can do it, but I must bring it to Him – over and over and over.  Each time I do, he refines it, purifies it, and returns it to me, better, stronger, and more empowered than before.  I love Jesus Christ.  No matter how much I give, He always give back more.  I guess that’s why He said, “I am come that they might have life, and that they might have it more abundantly.”

He waits on us to give Him all that we are, and when we do, He gives us back a life that is far better than anything we could have imagined.

Below is a copy of the original lyrics by Robert Robinson as he wrote them in the 1700’s:

1.

Come, Thou Fount of every blessing,
Tune my heart to sing Thy grace;
Streams of mercy, never ceasing,
Call for songs of loudest praise.
Teach me some melodious sonnet,
Sung by flaming tongues above.
Praise the mount! I’m fixed upon it,
Mount of Thy redeeming love.

2.

Sorrowing I shall be in spirit,
Till released from flesh and sin,
Yet from what I do inherit,
Here Thy praises I’ll begin;
Here I raise my Ebenezer;
Here by Thy great help I’ve come;
And I hope, by Thy good pleasure,
Safely to arrive at home.

3.

Jesus sought me when a stranger,
Wandering from the fold of God;
He, to rescue me from danger,
Interposed His precious blood;
How His kindness yet pursues me
Mortal tongue can never tell,
Clothed in flesh, till death shall loose me
I cannot proclaim it well.

4.

O to grace how great a debtor
Daily I’m constrained to be!
Let Thy goodness, like a fetter,
Bind my wandering heart to Thee.
Prone to wander, Lord, I feel it,
Prone to leave the God I love;
Here’s my heart, O take and seal it,
Seal it for Thy courts above.

5.

O that day when freed from sinning,
I shall see Thy lovely face;
Clothed then in blood washed linen
How I’ll sing Thy sovereign grace;
Come, my Lord, no longer tarry,
Take my ransomed soul away;
Send thine angels now to carry
Me to realms of endless day.

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Play by Ear, Write by Heart: Conclusion

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Play by Ear, Write by Heart: Conclusion

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talltabMusic is a remarkable thing.  So is the mind and the heart.  Together, these three elements can create beautiful music for all who hear it.  I’ve noticed that generally it is the simpler music that touches people most deeply.  I encourage any who enjoy listening to music to give writing music a try.  The best indicator to tell if you have ability to write music is to notice how much you enjoy listening to it.  The more you enjoy listening to it, the more developed your mental ear is, and the greater capacity your mind has to bring new music to life.  This may be hard to believe, but in my experience, it is true.
talltabMany people, even musicians, may try to convince you that music writing is something you’ve either ‘got’ or you don’t.  Don’t believe them.  This is but a convenient way to make musicianship sound unreachable for the inexperienced.
talltabThe truth is, even the most gifted musicians have developed the capacities we have been discussing, but they rarely know how to explain it, because so much of what is happening in practice is internal.  So they only explain those things which are easily explained – the note values, the time signatures, and the drill techniques.  These are all good, but they are only the technical parts.  I hope in this series I’ve been able to convey some internal ideas that are used in playing and writing music.
That is not an easy task, but I hope my attempts prove helpful in your quest to play and write music, by ear and by heart.

See more entries about playing the piano by ear and writing original piano music

Play by Ear, Write by Heart: Part 20

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Play by Ear, Write by Heart: Part 20

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The Sound Method

talltabThe basic idea of the sound method also works with silence, but silence can be a little more difficult to find in the busy world that we live in.  If the opportunity presents itself, try creating music using only your mental ear while you are in complete silence.
talltab Also, have you ever noticed that when you sit or lay in complete silence – perhaps  shortly before you begin to fall asleep, you can occasionally imagine sounds so well that you can almost convince yourself that you actually hear them?  I don’t think this is anything strange.  As your mind approaches sleep, it will sometimes begin to drift into dreaming before you have completely fallen asleep.
talltab If you ever find yourself drifting off, and are aware that you are doing so, try playing with your mental ear.  You may, on occasion, find that you can make yourself hear music – not actually hear it, but almost hear it.  If it works, you may find that you can create beautiful music, much in the same way you would if you used the sound method.  The only caution with the sleepy method is that if you fall asleep completely, you’ll probably forget what your music sounded like.
talltab In speaking of these methods, I hope not to create the impression that writing music by heart requires some kind of deep meditation or something.  That is not the case at all.  Actually, these sound and silence methods work best if you have already created some of your own music using the basic methods we’ve already discussed.  Sound and silence methods are just a fun way to play with your developing mental ear.
talltab Music is a simple thing that promotes emotion and motivation, and is best created with that idea in mind.
talltab If this method does prove itself effective for you, you may find that it is not difficult to invent a tune while humming during a walk, or whistling while you work.  You will likely find that you can spontaneously begin humming a tune that you have never before heard, and perhaps you will never hear again – unless you have a piano handy.  Try some things out, and you may be surprised how easily you can write original music.

See more entries about learning to play the piano by ear and write original piano music

Play by Ear, Write by Heart: Part 19

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Play by Ear, Write by Heart: Part 19

The Sound Method

talltabThis section of the Play by Ear, Write by Heart series may seem like the strangest, and may give you the impression that I have a bit of a mental disorder, but if you will take it seriously, and try it out, I’m sure you will find these tools as useful for you as they have been for me.  These methods are certainly not necessary, but they can be a bit of fun, and might even help you in creating original music.
talltabYour mental ear is quite powerful.  It is also very sensitive, and can be easily manipulated.  If you have ever been in a situation where you have been surrounded by a continuous and solid noise, such as a loud motor or fan, you may have noticed that any sound that you hear in the distance may be distorted and misunderstood.  If someone speaks to you while you are next to a loud motor, for example, you may hear something different than what they actually said.  This can be frustrating in terms of communication, but if you are trying to learn to write music by heart, a loud and constant sound can be a great tool.
talltab I should clarify that I am not speaking of loud music or loud rhythm.  Those will prevent the very thing you are trying to accomplish.  I am speaking of a constant sound, such as the hum of a vacuum cleaner or the crashing of falling water.
As you listen to the sound, listen carefully.  Listen intently and try to hear more in the hum than what is really there.  When you feel as though you might be able to hear echoes of other sounds emanating from the hum, let your mental ear play with it.  Imagine that you can hear music in the hum.  Imagine it with as detailed as you can.
As your mind begins developing a tune, repeat it over and over, until you feel confident that you won’t easily forget it.  Then, go to a piano and try to play it.   This may or may not work, but when it does work, it can be a fun way of inventing a piece of music.
talltab Don’t allow yourself to get discouraged when your attempt at playing your imagined music on the piano doesn’t sound nearly as good as you remember hearing it.
talltab Your mental ear has much more skill than your hands do.  Your mind can play entire orchestras with every little detail.  After all, consider a piece of music that you’ve heard dozens of times.  Can’t you hear the tune in your mind with all the little instrumental details?  That is your mental ear playing back a piece of music.  This same format can be used to write a whole new piece of music that has never been heard before by anyone.
If you can come up with a basic tune this way, allow yourself time to learn to play it.
talltab You’ll also find that a tune is MUCH easier to remember once you’ve played it on the piano (however inadequately), because sometimes when you come back to a piece you can remember the fingering better than the tune.  That’s all right, since as soon as your fingers do their work, your mind will recall the feelings and notes of your original music.

See more entries about learning to play the piano by ear and write original piano music

Come On Everyone! Simple, Easy to Win Giveaway!

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What Should I Call this Piece?

talltabOkay, you guys, time is running out, and this silly giveaway is still in force – for maybe a week or two.  Only a few people have tried, and even those few haven’t made more than a couple suggestions each!  You can suggest as many names as you want, so your chance of winning increases with each suggestion.  Fifty suggestions is just fine!  And you get free stuff if one of your suggestions is chosen!

Here’s the rules again:

Tab 2I wrote this piano piece for my second CD, which is coming out this summer, but I haven’t been able to come up with a name for it yet.

Tab 2I need your help! I need a good name for it.

Tab 2You can suggest as many names as you want, so any time you come up with one, simply write it in the comments.  Get family and friends to participate, because I want lots of names to choose from.  If it helps inspire any ideas, the CD itself is called The Ancestor, about roots or origins – something along those lines.  You certainly don’t have to base your title on that theme, because there are plenty of other pieces following that theme, but you can if you want to.

Tab 2So here’s how the giveaway will work. as soon as I see a name I really like, the contest will end, and I will announce the winner – so the more you participate, the better chance you have of winning.  The winner gets a choice of either a free copy of my Dayspring CD, or a free copy of the new CD (You can choose between CD or MP3s) once it’s ready (exact date unknown).  Plus I’ll email you a free copy of this MP3, so you can show off the awesome tune you named 😀

Tab 2The chosen name will be the permanent title for the piece.

Tab 2Thanks for your help, you guys!  You’re AWESOME!

Play by Ear, Write by Heart: Part 18

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Play by Ear, Write by Heart: Part 18

Cautions concerning your mental ear
talltabYour mental ear has a remarkable capacity to remember and bring forth beautiful music from a seeming oblivion.  It collects information from every tune it hears, and binds emotion to any mix of chords.  Using this as a guide to writing music can make it possible to promote virtually any emotion that the human heart can experience.  The mental ear also builds up a catalog of chord usages to draw from for writing music.
talltabI would like to share a couple of cautions, however, concerning the mental ear.  It is so common, and so easy, for a person to write a piece of music by heart, only to find later that the piece already exists.  You may find, after writing a piece, that the melody or chord structure has already been written by someone else.  It is comforting to know that chord structures are not copyrighted, but it is important to also understand that melodies are.  If you find that your chords match some other song that already existed, but your melody is different, don’t worry, that is alright.  There’s nothing wrong with using the same chords that someone else is using.  But if you find that your melody is already in existence, recognize that it is not yours, and you must either give proper credit to the writer, or change your tune.
talltabMy second bit of caution is also the more important caution:  if this happens to you (you write a piece only to discover that someone else wrote it first) do not get discouraged by this.  It can be embarrassing if you have publicized (not published) your piece already, only to find that it wasn’t yours in the first place, but do not let this scare you from writing more!  Consider it a great compliment.  Does it not prove that your capacity to write music is great?  Does it not prove that your musical ear is incredibly powerful and effective?  If you can write a melody that is already popular without even knowing that someone else wrote it, does that not validate the talent that you have developed?
talltabSometime read “The Story of my Life” by Helen Keller.  She went through this on a heavy level.  But with her, it was with writing instead of music.  She was very gifted with words and wrote a beautiful story, only to find out later that it wasn’t hers.  She could only assume afterward that she had heard it years before and forgotten about it.  She was greatly complimented for her work, but when it was discovered that the story already existed, she was looked down upon by some of the people she most admired.  During her recovery period from this most challenging part of her life, she said:

Miss Canby [a teacher] herself wrote kindly, “Some day you will write a great story out of your own head, that will be a comfort and help to many.” But this kind prophecy has never been fulfilled. I have never played with words again for the mere pleasure of the game. Indeed, I have ever since been tortured by the fear that what I write is not my own.

Helen Keller, The Story of My Life, chapter 14

talltabThe shock of the whole event discouraged her from writing fiction for the rest of her life.  This is a tragedy.  Don’t let that happen to you!  When you find that a piece is not yours, simply step down and start working on your next piece.  You have infinite music in your heart that has yet to be written, and no matter how good your piece is, your best is not yet written.  Write it, and let no failure or fear of embarrassment hinder you.

Read more articles about writing music by ear

The Makeshift Degree: Adlibing an Education without Going to School

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Okay, so obviously the most ideal way to get an education in most fields is to go to college, and for many jobs out, it is required.  But let’s face it, there are so many fields out there.  If you’re like me, you have so many interests that it is impossible for you to get a college education in all of your interests.
Also, many people are not in a position to go to college at the moment.
Here are a few ideas for getting an education outside of the school system:

Internet Sources:

The Internet has an endless supply of phenomenal information in thousands of fields.  You’ve just got to know where to look for it.  Here are a few sites I like – (maybe not Ph.D material, but interesting stuff nonetheless):

  1. http://google.com – good ol’ Google search.  You can learn just about anything with that… *
  2. http://www.youtube.com/edu – you know about Youtube.  Well, this is a branch of Youtube that specializes in good educational material.  Not just anyone can get stuff on here, so it’s a big step up from regular Youtube, and it’s a fun source of learning in all kinds of fields.
  3. http://www.ted.com/ – again, not a place to earn a degree, but if you want to get excited about learning, this is a fun place to go.  TED is a collection of fascinating lectures (yes, lectures CAN be fascinating!) that give an interesting perspective on various fields.
  4. http://www.openculture.com/2007/07/freeonlinecourses.html – if you prefer getting your information from reputable colleges, here’s a directory of podcasts that are done by colleges such as Stanford, Harvard, Yale, etc.  Just putter around the site to find the subject you’re looking for.

Books

  1. Check the Thrift Stores: As soon as a book becomes obsolete (by college standards that can mean the book has been published for a year and a half and now the photos in the book need to be reorganized), the thrift stores such as D.I. fill up with college textbooks.  After I paid nearly $100 for an astronomy book in college, I found a stack of twenty of them at D.I. the next semester for two bucks a piece.  Ugh… but that’s good for people who are wanting an education outside of school.
  2. Libraries:  They’re still around, believe it or not.  In this “Google any question” era that we live in, this is easy to forget.  Pick a topic, go to the library, and read all you can on the subject.
  3. School libraries: Most school libraries are open to the public.  You may not be able to check things out without a student card, but you can read what you want while you’re there, and if you take your digital camera, you can get instant copies of pages you want to read more about.

This is NOT a comprehensive list.  Fill us in!  What ways have you found for educating yourself on different topics?

* Clearly there is a lot of junk out there, and one of the great purposes of education is to train you to recognize credibility and bias.  You need to learn to check the sources on information.  Just because it sounds legit, or the information is worded in an educated manner doesn’t mean the content is of any real value.  The best lies are coated in great disguises.  So check your sources!

Read more entries with tips and ideas!

Play by Ear, Write by Heart: Part 17

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Play by Ear, Write by Heart: Part 17

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The Choice

Tab 2Now, just because you recognize what your ear is trying to tell you doesn’t mean you have to follow that advice.  Play your first chord, and then listen for your metal ear’s advice.  When you know what it wants you to play, you are then left with a choice:  you can follow it or reject it.

Tab 2If you reject the chord given to you by your mental ear unintentionally too often, you will likely dull your capacity to find the chord that your mind suggests.  This will make it difficult to write by heart, because rather than writing music by heart, you will be left to take guesses and choose chords either randomly or by knowledge alone, neither of which are very effective.
Tab 2The best way to prevent this is to pay close attention.  If you play a chord and it doesn’t match the note or chord suggested by your mental ear, stop and try another chord.  If you find that you’ve already forgotten what that chord was supposed to sound like, start over with the first chord again.  By paying careful attention to the notes or chord that your mental ear suggests, you will find that your metal ear has a great memory, as well as good taste in music!
Tab 2If you are given a note by your mental ear, you can choose to reject it.  It’s okay to use a different chord than what your mental ear suggests, as long as you are doing it knowingly and intentionally.  Rejecting a chord intentionally will, to some extent, re-configure your mental ear to listen for that different chord or note.  In other words, any time you begin writing a piece of music for the first time, as you approach the time to play a new chord, your mind will tell you what chord to play.  If you choose those chords as your mind tells you, you will be able to write your piece quite easily.  If you choose a different chord, you may be able to find a chord that you like even better.  The bottom line is, you must have your mind, heart, and fingers trained to be able to play a chord that you hear (audibly or mentally) so that you can choose whether or not to use those chords or notes.
Tab 2The great thing about choosing a different chord than your mental ear suggests is that in finding new chord progressions, you create for yourself a whole new library of possibilities for your mental ear to draw from.  The more you try new things and learn to work with new ideas, the more you will have to build with.  This becomes a remarkable adventure.  You will find that most any two chords can work together if you take time to discover when and where and how to play them.  With your mental ear and your creativity as your guide, there are very few limitations to your potential.

Read more about playing piano by ear and writing your own original music

Play by Ear, Write by Heart: Part 16

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Play by Ear, Write by Heart: Part 16

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The Mental Ear

Tab 2Inside your mind, there is something I call a mental ear.  It is the part of the mind that processes and predicts music.  When you hear your favorite song on the radio, your mental ear tells you what to expect as your listening.  You have heard the song before, and although you probably don’t consciously recognize the chord patterns that are used, your mental ear recognizes them very well.  So if you went to a concert where the musician was playing your favorite song, and a wrong chord was played, you would know immediately that something was wrong.  Your mental ear would alert you of the mishap immediately.  You may not instantly recognize what it was that went wrong, but you would hear and feel a difference.

Tab 2Writing music uses the same principle.  Your mental ear is so used to hearing  and predicting music that it becomes your primary source for coming up with chord progressions and melody ideas.

Tab 2That ‘ear’ has collected so much data over the course of your lifetime, and is so full of chord progressions, that when you sit down at a piano to create a new piece of music, and you play a chord or melody for the first time, your mental ear will tell you what the next chord should be.  It may take a little while to fully recognize what your metal ear is trying to tell you, but you must practice in order to become familiar with it’s messages.

Tab 2In learning to hear your mental ear, it is helpful to remember how you have been already using it thus far.  Turn on the radio to a familiar song.  While one chord is being played, listen to the part of your brain that tells you what the next chord will be.  I’m not speaking of the chord names, but of the way the chord sounds and feels.  What is the feeling that you get when the music changes one this chord to the next?  You know what’s coming, you know how you’ll probably feel when you hear it.  You can thank your mental ear for that.

Tab 2Now, transfer that recognition to your own music writing.  Play a chord – play it in what ever style you would like, but then pause for a moment.  What does your mental ear tell you the next chord should sound and feel like?  Find the chord.  You may have to pluck around a bit before you find it.  If you lose your train of feeling in your attempts, start over.  Keep doing this until you find the chord that your mental ear is trying to encourage.  Once you find it, play it a few times with the original chord.  Then, play the that far again but stop and try to feel what your mental ear is trying to tell you the next chord should be.

Tab 2This is the basic procedure for writing music by heart.  It is important to recognize what your mental ear is trying to tell you to play.  Your ear and your feelings must be your guide.

Read more of the series, Play by Ear, Write by Heart

Make Your Own Didgeridoo! Here’s How to Play It…

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How to Make and Play the Didgeridoo

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Tab 2I know every person out there has had a lifelong burning desire to learn to play the Australian didgeridoo, so I’m going to teach you how to do it. The best part is, all you need is a pipe – mine’s PVC. Of course, I painted it to look all cool and stuff, but you can use a vacuum pipe or thick wrapping paper tube if you want.

Have fun!

– Chas